{"id":9513,"date":"2023-12-21T17:52:26","date_gmt":"2023-12-21T17:52:26","guid":{"rendered":"http:\/\/www.saramoller.com\/?page_id=9513"},"modified":"2024-07-03T01:43:16","modified_gmt":"2024-07-03T01:43:16","slug":"void-and-unruly-wills","status":"publish","type":"page","link":"http:\/\/www.saramoller.com\/?page_id=9513","title":{"rendered":"Void and Unruly Wills"},"content":{"rendered":"\n

Gallery Thomassen
2023<\/h2>\n\n\n\n
\n
\"\"<\/figure>\n<\/figure>\n\n\n\n


Void and Unruly Wills

Sara M\u00f6ller’s third solo exhibition at Thomassen Gallery explores the concept of emptiness through a monologue, which could be seen as a possible manifesto or metaphor for the chaotic emergence of the artistic process. It takes the viewer on a journey through a dream-like landscape, where disobedient wills rule and unresolved connections are made possible.

This landscape is one of beauty and flaws, of those who rise and shine, and those who fall. Shadows that surround or gently embrace, rivulets of light that boldly thunder forth. It is a place of indeterminate seeking dialogue.

M\u00f6ller’s creation adorns itself in various costumes, but the essence is found in the contemplation of desire and powerlessness. The results are essentially only by-products, abstract effects, or still images of a dancing play.

The exhibition “Void and Unruly Wills” showcases M\u00f6ller’s layered glazed ceramic sculptures and smaller watercolor paintings. The paintings, which were the starting point for this exhibition, were created during her stay in Paris in 2022.<\/em><\/p>\n\n\n\n

\n
\"\"\n\t\t\t\n\t\t\t\t\n\t\t\t<\/svg>\n\t\t<\/button><\/figure>\n<\/figure>\n\n\n\n
\n
\"\"\n\t\t\t\n\t\t\t\t\n\t\t\t<\/svg>\n\t\t<\/button><\/figure>\n\n\n\n
\"\"\n\t\t\t\n\t\t\t\t\n\t\t\t<\/svg>\n\t\t<\/button><\/figure>\n<\/figure>\n\n\n\n

The romanticism
Glazed stoneware & painted silk on podium in sheet steel & painted watercolor paper
168 x 31 x 29 cm
2022<\/p>\n\n\n\n

\n
\"\"\n\t\t\t\n\t\t\t\t\n\t\t\t<\/svg>\n\t\t<\/button><\/figure>\n\n\n\n
\"\"\n\t\t\t\n\t\t\t\t\n\t\t\t<\/svg>\n\t\t<\/button><\/figure>\n<\/figure>\n\n\n\n

The light tongues of the shadow <\/em>
Glazed stoneware, painted bird feathers, painted textile and jesmonite
42 x 33 x 35 cm + podium of patinated sheet steel
2023<\/p>\n\n\n\n

\n
\"\"\n\t\t\t\n\t\t\t\t\n\t\t\t<\/svg>\n\t\t<\/button><\/figure>\n\n\n\n
\"\"\n\t\t\t\n\t\t\t\t\n\t\t\t<\/svg>\n\t\t<\/button><\/figure>\n<\/figure>\n\n\n\n

Void <\/em>
2023
Glazed stoneware, textiles and rock crystal
66 x 31 x 23 cm + podium of patinated sheet steel<\/p>\n\n\n\n

\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n<\/figure>\n\n\n\n

The storm<\/em>
Assembly of glazed porcelain, jesmonite and mdf
26 x 40 x 60 cm + podium of patinated sheet steel
2023<\/p>\n\n\n\n

\n
\"\"\n\t\t\t\n\t\t\t\t\n\t\t\t<\/svg>\n\t\t<\/button><\/figure>\n\n\n\n
\"\"\n\t\t\t\n\t\t\t\t\n\t\t\t<\/svg>\n\t\t<\/button><\/figure>\n<\/figure>\n\n\n\n

The cloud within <\/em>
Glazed stoneware
38 x 25 x 19 cm
2023<\/p>\n\n\n\n

\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n<\/figure>\n\n\n\n

K\u00e4rl<\/em>
Glazed porcelain and stoneware
17.5 x 10 x 5 cm
2023<\/p>\n\n\n\n

\n
\"\"\n\t\t\t\n\t\t\t\t\n\t\t\t<\/svg>\n\t\t<\/button><\/figure>\n<\/figure>\n\n\n\n

The Unruly Will<\/em>
Watercolor on paper, frame in certified mahogany with non-reflective museum glass
59 x 46 cm<\/p>\n\n\n\n

\n
\"\"\n\t\t\t\n\t\t\t\t\n\t\t\t<\/svg>\n\t\t<\/button><\/figure>\n<\/figure>\n\n\n\n

Passage du Temps <\/em>
Watercolor on paper, frame in certified mahogany with non-reflective museum glass
59 x 46 cm<\/p>\n\n\n\n

\"\"\n\t\t\t\n\t\t\t\t\n\t\t\t<\/svg>\n\t\t<\/button><\/figure>\n\n\n\n
\n
\"\"\n\t\t\t\n\t\t\t\t\n\t\t\t<\/svg>\n\t\t<\/button><\/figure>\n\n\n\n
\"\"\n\t\t\t\n\t\t\t\t\n\t\t\t<\/svg>\n\t\t<\/button><\/figure>\n<\/figure>\n\n\n\n
\n
\"\"<\/a><\/figure>\n<\/figure>\n\n\n\n
\"\"\n\t\t\t\n\t\t\t\t\n\t\t\t<\/svg>\n\t\t<\/button><\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\n
\"\"\n\t\t\t\n\t\t\t\t\n\t\t\t<\/svg>\n\t\t<\/button><\/figure>\n\n\n\n
\"\"\n\t\t\t\n\t\t\t\t\n\t\t\t<\/svg>\n\t\t<\/button><\/figure>\n\n\n\n
\"\"\n\t\t\t\n\t\t\t\t\n\t\t\t<\/svg>\n\t\t<\/button><\/figure>\n<\/figure>\n\n\n\n
\n
\"\"\n\t\t\t\n\t\t\t\t\n\t\t\t<\/svg>\n\t\t<\/button><\/figure>\n\n\n\n
\"\"\n\t\t\t\n\t\t\t\t\n\t\t\t<\/svg>\n\t\t<\/button><\/figure>\n<\/figure>\n\n\n\n

Photo: David Eng and Sara M\u00f6ller <\/em><\/p>\n\n\n\n

Recension i omkonst<\/strong><\/p>\n\n\n\n

\u201d \u00d6msinta former fyller rummen p\u00e5 Galleri Thomassen n\u00e4r leran f\u00e5r st\u00e5 i centrum. Sara M\u00f6ller arbetar med stengods och porslin som med en matt glasyr skapar ett kroppsligt m\u00f6te. \u00d6gat inbillar sig en synlig puls och handen en levande v\u00e4rme i m\u00f6tet med materialet. Skulpturerna st\u00e5r p\u00e5 st\u00e4llningar och bord med tunna ben av patinerat st\u00e5l, de h\u00e4nger i sn\u00f6ren eller v\u00e4xer sig upp ur golvet. Draperat tyg f\u00f6ljer ibland mjukt intill.\u201d<\/em><\/p>\n\n\n\n

L\u00e4s recensionen <\/strong>h\u00e4r<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Gallery Thomassen2023 Void and Unruly Wills Sara M\u00f6ller’s third solo exhibition at Thomassen Gallery explores the concept of emptiness through a monologue, which could be seen as a possible manifesto or metaphor for the chaotic emergence of the artistic process. It takes the viewer on a journey through a dream-like landscape, where disobedient wills rule […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-9513","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/www.saramoller.com\/index.php?rest_route=\/wp\/v2\/pages\/9513","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.saramoller.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.saramoller.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.saramoller.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/www.saramoller.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9513"}],"version-history":[{"count":26,"href":"http:\/\/www.saramoller.com\/index.php?rest_route=\/wp\/v2\/pages\/9513\/revisions"}],"predecessor-version":[{"id":9746,"href":"http:\/\/www.saramoller.com\/index.php?rest_route=\/wp\/v2\/pages\/9513\/revisions\/9746"}],"wp:attachment":[{"href":"http:\/\/www.saramoller.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9513"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}