.short introduction.
Solo Exhibition 2025
BERG Gallery
” Sara Möller’s third solo exhibition at Berg gallery is titled Driva Drift, featuring a new series of ceramic and bronze sculptures as well as watercolor paintings. The title is a play on words where ”driva” in this context can mean to propel, lead, or to set something in motion, while ”drift” can refer to desire, impulse, drive, or the artwork with the same title…”
Installation view from solo show at Berg Gallery >>>
REVIEW omkonst (SE) 2025
“Utställningen Driva Drift är Sara Möllers (f. 1982) tredje på Berg Gallery. Nu liksom tidigare är det företrädesvis keramiska verk som implicerar surrealistiska undertoner och associationer. Men inte som någon polerad eller ytligt estetisk surrealism utan snarare av en mer genuint djuplodande och subversiv sort.“
Read more here (SE)
2024
glazed stoneware
177 x 70 x 75 cm
2024
patinated bronze
+ watercolor
2025
forged iron, synthetic fibre
2024
glazed stoneware, jesmonite, graphite, oilskin
2024
glazed stoneware
installation view
2024
stoneware, jesmonite, wood, jute
2024
aluminum
2024
glazed stoneware
An overview of selected artworks from 2018 to 2025
.MIXED ORDER.
Most of the works are hand-built in ceramics, but bronze, textile, jesmonite and other materials are also present. Some larger spatial installations are also shown on this page.
For more detailed presentations, go to exhibitions and public art/mission
2024
patinated bronze, aluminum, glazed stoneware, natural stone, waxed linen thread, iron and wood
2020
glazed stoneware, hemp string
2023
glazed stoneware
2023
glazed stoneware, textile, rock crystal
2023
porcelain, leather strap, steel wire, iron
2023
glazed porcelain, jesmonite, mdf
2024
328 x 224 x 160 cm
ler, tekstil, papier maché, træ, porcelæn, bark, hår
” In the exhibition Mutated Sea / Trampled Ground, the creative process is cast as the protagonist in an attempt to reach behind the elevated artefact. Ceramic pieces appear alongside raw clay, slip, jesmonite, textile and wood to form a new, spatial whole. The materials play the role of nature, while the artist’s hand, the human element, ultimately and unde-niably controls the composition. But perhaps, these roles are not completely fixed after all? …”
2023
169 x 79 x 33 cm
glazed porcelain, stoneware (steel, textile and kaolin podium)
2024
ler, tekstil, papier maché, træ, porcelæn, bark, hår
2018
porcelain, glazed stoneware, silicone, black burnt wood, iron wire
2023
glazed stoneware, glazed stoneware
2018
200 x 200 cm
bronze, porcelain
2018
bronze
(part of spatial installation from above)
2019
ler, tekstil, træ, porcelæn,steel and more
“The exhibition space becomes a playground for a landscape, a garden in dim light, a disciplined nature that is still wild, like in ourselves in our inner landscapes, the tender soft and the dirty chafed, the incompatible that seeks intelligibility of our original nature…”
2019
glazed stoneware
Act of Clash
2018
bronze, porcelain
2018
stone, wood, ponytail, silk, metal, porcelain spatial installation (in the background Autopsi, glazed stoneware)
2019
installation, – glazed stoneware, mixed materials
2020
steel, textile, porcelain, hemp rope, stone
2020
glazed stoneware
2020
glazed stoneware and porcelain, black burnt wood, hemp rope
2020
glazed stoneware
2022
Bronze
2021
Papier-mâché, aquarelle, painted silk, nails
2021
Papier-mâché, aquerelle, graphite wax, dyed silk, nails, glass and water
2021
Papier-mâché, lasur, dyed silk, tencel, metal
2024
glazed stoneware, wooden board inlaid in jesmonite
2025
watercolor
2024
bronze
2024
glazed stonware
(on the right in the picture)
2025
forged iron, synthetic fibre
2019
installation, – glazed stoneware, mixed materials
2023
Watercolor on paper, frame in certified mahogany with non-reflective museum glass
2023
Watercolor on paper, frame in certified mahogany with non-reflective museum glass