ABOUT

Sara Möller is a Gothenburg based sculptor whose multidisciplinary practice is rooted in the physical properties of clay and its capacity to act as a surrogate for the human body. Her work is primarily sculptural and often ceramic, as she constantly strives to challenge and exceed the boundaries of the field, exposing both the shortcomings and the benefits of the medium. Thematically, Möller delves into the complexity of existence and the drama of nature, where the landscape and the body merge. Born in Växjö in 1982, she holds an MFA in Ceramic Art from HDK Valand Academy of Art and Design (2009).

Her creative process evolves through a rhythmic and dance like dialogue where forms emerge in a flow between intuitive searching and material resistance. In her work with clay, the power of the hand carries the greatest weight, serving as the primary force mediating between her body’s rhythmic stamina and the material’s resistance. This practice is defined by an aesthetic rooted in a physical and sensory presence that balances on the edge of the organic, at times almost fleshy, and the strictly constructed. In her installations, Möller constantly negotiates between chaos and order, where the unruly nature of the materials meets a disciplined structural will. In her hands, clay becomes a responsive skin, a bridge between the inner bodily experience and the vastness of the outer world.

She is fascinated by sculptural hybrids where forms appear to grow naturally but are held together or supported by artificial elements. Her methods often involve casting clay or papier mâché which is then transformed into materials such as bronze. She also integrates unexpected materials such as kitchen utensils, water, textiles, everyday objects, and found items. While her work primarily manifests as sculptures and installations, it also takes the form of flowing paintings on paper. These various expressions can be viewed as byproducts or stills from a rhythmic play, radiating a simultaneous sense of vibrant sensualism and dystopian chaos.

Möller has consistently sought to evolve and deepen her artistry through various artist in residence programs. Her time in locations such as Reykjavík, Jingdezhen, London, and Berlin has been particularly influential, as the specific landscapes and urban atmospheres of these cities have impacted her work in distinct ways. A pivotal moment was her 2024 residency at the European Ceramic Workcentre (EKWC), where she developed the monumental works featured in her most recent solo exhibition, Driva Drift (2025). By mastering large scale material handling, Möller continues to open new paths toward immersive assemblies where her background in ceramics, mixed media, and installation can manifest in a global context.

Möller gained significant recognition early in her career when she was awarded the prestigious Beckers Art Award in 2013. Alongside solo exhibitions at venues such as Färgfabriken (2013), Vandalorum (2017), and Norrtälje Konsthall (2019), she has maintained a long standing presence at Galleri Thomassen in Gothenburg and is currently represented by Berg Gallery in Stockholm. Her public work Pissed Elin (2017), a three meter high bronze fountain dedicated to writer Elin Wägner, received widespread attention for its bold presence in Växjö Art Site.









Portrait of Sara Möllers in her studio in Majorna, Gothenburg, Sweden.
Photographed by Paul Wennerholm, 2023-12-06